All paths lead to dreams (2021)
Curator: Anne Tassel
Production: SCCA-Ljubljana, 2021
Duration: 54’
Premiere: VideoGarden.8 (VideoDvorišče.8), Škuc Gallery (9. 9. 2021)
Neven Korda, in his work Angelic Wreath at Speed (2006), explores artificial worlds and questions reality. Sašo Sedlaček, in the video Picnic on a Dump (2004), uses the ugly environment of the landfill for a picnic and combines artistic actions in an extreme environment. In the short film Woodman’s Bizzare Dream (2009) we explore the dreamier sphere created by Matevž Jerman and Aleksander Pejić which when viewed transfers the dreamy tension into reality. In the video performance Code I (2000) by the artist Duba Sambolec, the artist deals with automated cliché phrases, which in the performance lose their original meaning, deconstruct, become annoying, automated and go through this same cycle again and again. The performances thus touch on the individual’s will and control in rebellion and the fight against pressure and abuse. Video Water Glove (2015) from Nataša Prosenc Stearns combines and explores the real hand with an impossible water glove and thus creates a new, in real life impossible phenomenon. In her work Ballabende (1995), Jasna Hribernik takes us into romanticized contrasting worlds that respond and intertwine with different musical genres. Video Pissing (2002) by Martina Bastard, Mateja Ocepek and Nataša Skušek transcends the gender spectrum with a simple standing urination campaign.
Anne Tassel
Neven Korda, Angelic Wreath On Speed, 4′ 42”
N.K., 2006
» video
Sašo Sedlaček, Picnic on a Dump, 9′ 6”
S.S., 2004
» video
Matevž Jerman, Aleksandar Pejić, Woodsman’s Bizzare Dream 2, 3′ 15”
M.J. & A.P., 2009
» video
Duba Sambolec, Code I, 4′ 29”
D.S.., 2000
» video
Nataša Prosenc Stearns, Water Glove, 58”
N.P.S., 2015
» video
Jasna Hribernik, Ballabende, 21′ 46”
N.P.S., 1995
» video
Martina Bastarda, Mateja Ocepek, Nataša Skušek, Pissing, 4′ 28”
M.B.,M.O.,N.S., 2002
» video
Anne Elisabeth Tassel (1995) is a graduate of digital arts (School of Arts UNG) and a post-graduate student of video and new media at ALUO. In 2020 she curated a pop-up exhibition with Gallery 7:069 at Kino Šiška. For the forth year at FeKK (Ljubljana short film Festival) she co-curates Internet Archeology programme and was a selector of this years FeKK BAL competition programme. Her creative field spans from video, (short) films and curating, but still prefers being a veiwer the most.